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Church of Notre-Dame of Dijon : ウィキペディア英語版
Church of Notre-Dame of Dijon

The Church of Notre-Dame of Dijon is a Roman Catholic church in Dijon. Considered a masterpiece of 13th-century Gothic architecture, it is situated at the heart of the preserved old centre of Dijon. It is in Place Notre-Dame, near the Palace of the Dukes of Burgundy and opposite the rue Musette.
Work on the church began around 1230.〔Franz von Reber. ''History of mediaeval art''. 1887. "Notre-Dame of Dijon, begun about 1230, at a time when French-Gothic had already attained its highest eminence .."〕
The church contains the statue of Notre-Dame de Bon-Espoir, formerly called the Black Madonna. The church's decorations also include two symbols of Dijon: the jacquemart (bell-striking automaton) and the owl. The church was classified as a Monument Historique in the List of historic monuments of 1840. The chapel of the Assumption, the sacristy, and the gallery that links them have been listed as Monuments Historiques since 5 July 2002.
== History ==

Before the second half of the 12th century, the site of today's Notre-Dame was occupied by a simple chapel, the chapelle Sainte-Marie, which was outside the city walls. Around 1150, this chapel was rebuilt in the Romanesque style. Then beginning around 1220, the people of Dijon built the Gothic church we see today on this site.

It was located in the middle of a popular quarter, so there was a lack of space for the building. The architect, whose name is now unknown, employed numerous novel techniques. For example, all the weight of the framing and the roof rests on pillars rather than flying buttresses, thereby allowing the maximum floor area for the interior.
From the 18th century on, this church had admirers, including Vauban and Eugène Viollet-le-Duc. The latter wrote in his ''Dictionnaire raisonné de l'architecture française'' that Notre-Dame de Dijon was "a masterpiece of reason".
The church was restored from 1865 to 1884, by the Parisian architect Jean Charles Laisné and not by Viollet-le-Duc as has sometimes been incorrectly written. The work involved returning the church to what was thought to be its original appearance. To achieve this, later additions to the building were removed, the tower at the crossing was re-established as a lantern tower, and the ruined sculptures were remade.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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